——

2022

June 10th.      Suono Giallo International Festival (Sansepolcro, Italy)

specchi a la figura (Così nel mio parlar) — (2021)

G.A.M.O Ensemble / Ensemble Suono Giallo

more information to follow…

*

2021

sometime, somewhere, when the pandemic allows…
world premiere of
‘lingua discordante. A likeness’ (2020)
for three large quartz bowls,
commissioned by SYNERGEIN Project.

*

March 21st.      Centro Cívico de Gillet (Valencia, Spain)

quehacer del tacto full of mirroredness — (2009)

SYNERGEIN Project, percussion

*

July 27th.      AD (Valencia, Spain)

quehacer del tacto full of mirroredness — (2009)

SYNERGEIN Project, percussion

*

September 10th.-12th      (Valencia, Spain)

CD recording of quehacer del tacto full of mirroredness — (2009)

SYNERGEIN Project, percussion

*

November 14th.      Festival Eco de Nits (Valencia, Spain)

quehacer del tacto full of mirroredness — (2009)

SYNERGEIN Project, percussion

*

November 23rd.      Conservatorio Superior de Pamplona (Navarra, Spain)

saw digression hobbling driftwood (positione di voce) — (2016-17)

SYNERGEIN Project, percussion

*

November 28th.      Ciclo de Música Contemporánea de Lugo MIHL-Sons XXI (Lugo, Spain)

saw digression hobbling driftwood (positione di voce) — (2016-17)

SYNERGEIN Project, percussion

*

December 15th.      Conservatorio Superior (Albacete, Spain)

quehacer del tacto full of mirroredness — (2009)

SYNERGEIN Project, percussion

*

*

2020

• January 16th.       Panakustika. Museum Wiesbaden (Wiesbaden, Germany)

specchi a la figura (Cinc, un, trese) — (2015-16)

Maximilian Haft, violin / Jan-Filip Ťupa, violoncello

World premiere of the whole piece

*

• February 5th.      Alte Feuerwache Köln (Cologne, Germany)

in der bruchlosen Ferne, dans la crevasse du temps — (2001)

ensemble hand werk

German premiere

*

• March 7th.      Mancomunidad intermunicipal del Barrio del Cristo. Aldaia-Quart de Poblet (Valencia, Spain)

quehacer del tacto full of mirroredness— (2009)

SYNERGEIN Project, percussion

*

• April 19th.       Atrium Viladecans (Viladecans, Barcelona, Spain)

wq.132 à creux perdu — (2017)

Pedro Pablo Cámara, prepared and amplified tenor saxophone

*

• April 27th.       Ciclo de Música Contemporánea del Conservatorio Superior de Badajoz (Badajoz, Spain)

wq.132 à creux perdu — (2017)

Pedro Pablo Cámara, prepared and amplified tenor saxophone

*

• May 24th.    On-line concert

declarar la corteça de la letra (wie Scherben […] eines Gefäßes) — (2013/rev.14-16)

Sisco Aparici, percussion

*

• June 18th.       On-line concert

wq.132 à creux perdu — (2017)

Pedro Pablo Cámara, prepared and amplified tenor saxophone

*

• June 28th.      16th Mostra Sonora de Sueca (Valencia, Spain)
  

d’un trait qui figure et défigure — (2000-2002)

Ensemble Opus 22

*

• October 16th.      Auditorio de Musikene (San Sebastián, Spain)
  

quehacer del tacto full of mirroredness— (2009)

Synergein Project, percussion

*

• October 31st.      Percute Catarroja 2020 (Valencia, Spain)
  

quehacer del tacto full of mirroredness— (2009)

Synergein Project, percussion

*

• November 25th.       Gare du Nord (Basel, Switzerland)

specchi a la figura (Cinc, un, trese) — (2015-16)

Maximilian Haft, violin / Jan-Filip Ťupa, violoncello

*

• December 16th.    Hochschule für Musik Basel (Basel, Switzerland)
  

quehacer del tacto full of mirroredness – (2009)

Mikolaj Rytowski / Guillem Serrano, percussion

––

2019

• January 11th.       X Synergein Project Academy (Onda, Spain)

saw digression hobbling driftwood (positione di voce) — (2016-17)

Synergein Project, amplified musical saws

*

• January 22nd.       CD Presentation «Solitaire» (IBS Classical). Sala Manuel de Falla (SGAE) (Madrid, Spain)

wq.132 à creux perdu — (2017)

Pedro Pablo Cámara, prepared and amplified tenor saxophone

*

• February 25th.        kgnm kölner gesellschaft für neue musik. Kölnischer Kunstverein (Cologne, Germany)

specchi a la figura (Cinc, un, trese) — (2015-16)

ensemble hand werk

World premiere of the first piece

*

• April 12th.      15th Mostra Sonora de Sueca (Valencia, Spain)
  

saw digression hobbling driftwood (positione di voce) — (2016-17)

Synergein Project, amplified musical saws

*

• July 10th.      Iglesia del puerto. Festival Àgora Actual Percussió. III European Meeting of Contemporary Percussion (Xabia, Alicante, Spain)

saw digression hobbling driftwood (positione di voce) — (2016-17)

Synergein Project, amplified musical saws

*

• August 23rd.      80 Quincena Musical de San Sebastián (San Sebastián, Spain)
  

saw digression hobbling driftwood (positione di voce) — (2016-17)

Synergein Project, amplified musical saws

*

• September 27th.       Encuentro de Artistas. Fundación Amelia Moreno (Quintanar de la Orden, Spain)

wq.132 à creux perdu — (2017)

Pedro Pablo Cámara, prepared and amplified tenor saxophone

*

• September 29th.       IV Festival Internacional de Música Contemporánea Cristobal Halffter (Ponferrada, Spain)

wq.132 à creux perdu — (2017)

Pedro Pablo Cámara, prepared and amplified tenor saxophone

*

• November 7th.      Conservatorio Profesional de Música Victoria de los Ángeles (Madrid, Spain)
  

saw digression hobbling driftwood (positione di voce) — (2016-17)

quehacer del tacto full of mirroredness— (2009)

Synergein Project, amplified musical saws

*

• November 8th.      Conservatorio Superior de Música de Castilla-La Mancha (Albacete, Spain)
  

saw digression hobbling driftwood (positione di voce) — (2016-17)

quehacer del tacto full of mirroredness— (2009)

Synergein Project, amplified musical saws

*

• November 12th.      KlangSpur – Neue Musik im Klingspor Museum Offenbach (Offenbach a.M., Germany)

Entwurf einer Landschaft (le pont vieux) — (2018-19)

Carola Schlüter, soprano / Lucas Fels, violoncello

World premiere

*

• November 20th.      Facultad de Ciencias Sociales y Humanas (Teruel, Spain)

quehacer del tacto full of mirroredness— (2009)

SYNERGEIN Project, percussion

*

• December 5th.     Conservatorio Profesional de Música de Salamanca (Salamanca, Spain)

quehacer del tacto full of mirroredness— (2009)

SYNERGEIN Project, percussion

*

• December 7th.     NueBo Festival ’19 (Bonares, Spain)
  

wq.132 à creux perdu — (2017)

Pedro Pablo Cámara, prepared and amplified tenor saxophone

*

——

2018

m

• March 7th.       Aspa Contemporary (Madrid, Spain)

wq.132 à creux perdu — (2017)

Pedro Pablo Cámara, prepared and amplified tenor saxophone

World premiere

• March 28th.       Conservatorio Profesional de Segovia (Segovia, Spain)

wq.132 à creux perdu — (2017)

Pedro Pablo Cámara, prepared and amplified tenor saxophone

• April 7th.       Portrait José Luis Torá. Monographic concert. IX Synergein Project Academy (Onda, Spain)

declarar la corteça de la letra (wie Scherben […] eines Gefäßes) — (2013/rev.14-16)

wq.132 à creux perdu — (2017)

quehacer del tacto full of mirroredness— (2009)

saw digression hobbling driftwood (positione di voce) — (2016-17)

Synergein Project (Sisco Aparici, Juanjo Llopico) percussions / Pedro Pablo Cámara, saxophone / Guillem Serrano, Álvaro Belda, percussions

• April 19th.       CD recording session for IBS Classical (Granada, Spain)

wq.132 à creux perdu — (2017)

Pedro Pablo Cámara, prepared and amplified tenor saxophone

• April 21st.     Claustro de la Nau (Universidad de Valencia). ENSEMS #40 Festival Internacional de Música Contemporània (Valencia, Spain)
  

saw digression hobbling driftwood (positione di voce) — (2016-17)

Synergein Project, amplified musical saws

World premiere

m

• September 18th.     KlangSpur – Neue Musik im Klingspor
  Neue Musik im Klingspor Museum Offenbach (Offenbach a.M., Germany)

des Lallens) que plor e vau cantan (die Blüte — (2011-12)

Carola Schlüter, soprano / Betty Nieswandt, contrabass flute

m

• September 23rd.     Museo Nacional y Centro de Investigación de
  Altamira (Santillana del Mar, Spain)

quehacer del tacto full of mirroredness— (2009)

Frames percussion

• September 30th.       Museo Casa de Cervantes (Valladolid, Spain)

wq.132 à creux perdu — (2017)

Pedro Pablo Cámara, prepared and amplified tenor saxophone

• October 30th.       Universidad Pontificia de Comillas (Madrid, Spain)

wq.132 à creux perdu — (2017)

Pedro Pablo Cámara, prepared and amplified tenor saxophone

• December 17th    Festival Distat Terra (Choele Choel, Argentina)

Kaspar Hauser Lied — (1992-93)

Richard Craig, piccolo

m

2017

m

• May 7th.     Galerie Corona Unger (Bremen, Germany)

des Lallens) que plor e vau cantan (die Blüte — (2011-12)

Carola Schlüter, soprano / Betty Nieswandt, contrabass flute

 m

• May 12th.     Kulturzentrum Marstall am Schloss e.V. (Ahrensburg bei Hamburg, Germany)

des Lallens) que plor e vau cantan (die Blüte — (2011-12)

Carola Schlüter, soprano / Betty Nieswandt, contrabass flute

 m

• May 14th.     Klangrauschen. Essigfabrik (Lübeck, Germany)

des Lallens) que plor e vau cantan (die Blüte — (2011-12)

Carola Schlüter, soprano / Betty Nieswandt, contrabass flute

 m

• June 4th.     Nebbiensches Gartenhaus (Frankfurt am Main, Germany)

des Lallens) que plor e vau cantan (die Blüte — (2011-12)

Carola Schlüter, soprano / Betty Nieswandt, contrabass flute

 m

• July 12th.    Museo Casa del Cable. Àgora Actual Percussió. European Meeting of Contemporary Percussion (Xabia, Alicante, Spain)

declarar la corteça de la letra (wie Scherben […] eines Gefäßes) — (2013/rev.14-16)

Sisco Aparici, percussion

 m

• November 11th.     MARCO (Museo de Arte Contemporáneo). V Festival de Creación Musical Contemporánea Vertixe Sonora 2017  (Vigo, Spain)

declarar la corteça de la letra (wie Scherben […] eines Gefäßes) — (2013/rev.14-16)

Sisco Aparici, percussion

 m

• December 3rd.    URTIcanti 2017. 13° festival di musica contemporanea (Bari, Italia)
  

Kaspar Hauser Lied — (1993)

Alessandra Rombolá, piccolo

 m

• December 14th.     Hochschule für Musik und Theater München (Munich, Germany)

wq.132 à creux perdu — (2017)

Pedro Pablo Cámara, prepared and amplified tenor saxophone

 

2016

• April 1st.    Conservatorio de Xabia (Alicante, Spain)
  

declarar la corteça de la letra (wie Scherben […] eines Gefäßes) — (2013/rev.14-16)

Sisco Aparici, percussion

m

• April14th.    Conservatorio Superior de Castellón (Castellón, Spain)
  

declarar la corteça de la letra (wie Scherben […] eines Gefäßes) — (2013/rev.14-16)

Sisco Aparici, percussion

m

• October 15th.     Salon de Actos de Soneja (Castellón, Spain)

quehacer del tacto full of mirroredness— (2009)

NexeDuet, percussion

m

2015

• February 14th.     Klangrauschen. Essigfabrik (Lübeck, Germany)

des Lallens) que plor e vau cantan (die Blüte — (2011-12)

Carola Schlüter, soprano / Richard Craig, contrabass flute

 mmm

• April 2nd.     Musée d’Art Moderne (Le Havre, France)
  

Kaspar Hauser Lied — (1993)

Alessandra Rombolá, piccolo

• April 24th.     Festival Internacional de Percusión PerkuLlíria 2015 (Valencia, Spain)

quehacer del tacto full of mirroredness— (2009)

Sisco Aparici, Alejandro Sancho (perc.)

• May 8th.     VIII Ciclo de Música Contemporánea (Badajoz, Spain)

quehacer del tacto full of mirroredness— (2009)

Sisco Aparici, Alejandro Sancho (perc.)

• May 30th.     EMA Festival. Libreria Melior (Madrid, Spain)
  

Kaspar Hauser Lied — (1993)

Alessandra Rombolá, piccolo

 

• July 4th.     Konzert-Symposium mit der Internationalen
  Ensemble Modern Akademie. Haus am Dom (Frankfurt, Germany)

des Lallens) que plor e vau cantan (die Blüte — (2011-12)

Carola Schlüter, soprano / Betty Nieswandt, contrabass flute

mmm

• August 27th.    InterArts Center (Malmö, Sweden)
  

corde (L’Einschnitt) duplici — (2005)

Soloist: Bertrand Chavarría (Guit) / Smash Ensemble

• August 29th.    Suså Festival ’15 (Næstved, Denmark)
  

corde (L’Einschnitt) duplici — (2005)

Soloist: Bertrand Chavarría (Guit) / Smash Ensemble

• October 19th.    Conservatorio Superior de Música de Salamanca (Salamanca, Spain)
  

• October 23rd.    Círculo de Bellas Artes (Madrid, Spain)

specchi a la figura (Affligée et Tombeou) — (2013-15)

Sigma Project Quartet

World premiere

mm

• December 11th.    Musikhochschule Freiburg (Freiburg im Breisgau, Germany)      

contrapasso einer gesperrten K.457 (Balletto d’Incerto) — (2006-07)

Nenad Ivanovic, accordion

m

• December 28th.    Academia de alto rendimiento MC (Segorbe, Spain) 

quehacer del tacto full of mirroredness – (2009)

Sisco Aparici / Juanjo Llopico (percussion)

declarar la corteça de la letra (wie Scherben […] eines Gefäßes) — (2013-15)

Sisco Aparici (percussion)

ññ

 

2014

• January 27th.    Hochschule für Musik Basel (Basel, Switzerland)
  

quehacer del tacto full of mirroredness – (2009)

Sisco Aparici / Juanjo Llopico (percussion)

declarar la corteça de la letra (wie Scherben […] eines Gefäßes) — (2013)

Sisco Aparici (percussion)

• April 30th.    Conservatorio Superior de Música de Navarra (Pamplona, Spain)

declarar la corteça de la letra (wie Scherben […] eines Gefäßes) — (2013)

Sisco Aparici (percussion)

• May 22nd.    Edificio Badajoz Siglo XXI (Badajoz, Spain)

de una estela incierta (-Aschenlid) — (1996-97)

Tamgram Project (Basel)

• May 23rd.    Centro Cultural Santo Domingo (Mérida, Spain)

de una estela incierta (-Aschenlid) — (1996-97)

Tamgram Project (Basel)

• July 2nd.    Actual Percusión 2014 (CSKG, Madrid)
  

declarar la corteça de la letra (wie Scherben […] eines Gefäßes) — (2013/rev.14)

Sisco Aparici (percussion)

 

• August 14th.    47. Internationale Ferienkurse für Neue Musik Darmstadt (Darmstadt, Germany)
  

de una estela incierta (-Aschenlid) — (1996-97)

Tamgram Project (Basel)

m

• October 3rd.    Hochschule für Musik Basel (Basel, Switzerland)

Recording of the piece:

de una estela incierta (-Aschenlid) — (1996-97)

Tamgram Project (Basel)

m

• October 31st.   Hochschule für Musik Basel (Basel, Switzerland)

de una estela incierta (-Aschenlid) — (1996-97)

Tamgram Project (Basel)

m

• November 6th.    XXXV Encontre Internacional de Compositors (Palma de Mallorca, Spain)

de una estela incierta (-Aschenlid) — (1996-97)

Tamgram Project (Basel)

 

• November 11th.    Es Baluard – Museum of modern and contemporary art. XXXV Encontre Internacional de Compositors (Palma de Mallorca, Spain)

antecomeDìa — (2006-12)

Whole cycle:

contrapasso einer gesperrten K.457 (Balletto d’Incerto) — (2006-07)

Nenad Ivanovic, accordion

des Lallens) que plor e vau cantan (die Blüte — (2011-12)

Carola Schlüter, soprano / Richard Craig, contrabass flute

doppio lume s’addua (figure of grammar) — (2007)

Jan-Filip Ťupa, violoncello / Bertrand Chavarría, guitar

m

• December 5th.    Projecte Rafel 2014. Rafelbunyol Auditory (Valencia, Spain) 

declarar la corteça de la letra (wie Scherben […] eines Gefäßes) — (2013-14)

Sisco Aparici (percussion)

• December 7th.    Teatro Cervantes de L’Olleria (Valencia, Spain) 

declarar la corteça de la letra (wie Scherben […] eines Gefäßes) — (2013-14)

 Sisco Aparici (percussion)

• December 9th.    Conservatorio Superior de Salamanca (Salamanca, Spain) 

declarar la corteça de la letra (wie Scherben […] eines Gefäßes) — (2013-14)

 Sisco Aparici (percussion)

2013

–

• March 2nd.    XVI Festival de Música Contemporánea de Córdoba. Auditorio del Conservatorio Superior de Música “Rafael Orozco” (Córdoba, Spain)

de una estela incierta (-Aschenlid) — (1996-97)

TdM Trío de Magia

• April 13th.    Masterclass at the European Musical Creation Workshop (EMCW 2013, Madrid, Spain) 
  

De los cuerpos sonoros

Concepto de cuerpo sonoro: corporalidad, acústica, historia
El cuerpo sonoro como espacio de interdependencias
Poética de la acústica, acústica de la poética
Traducibilidad entre cuerpos sonoros: construcción de un espacio   metacorporal

• August 29th.    74 Quincena Musical de  San Sebastián (San Sebastián, Spain)
  

declarar la corteça de la letra (wie Scherben […] eines Gefäßes) — (2013)

Sisco Aparici (percussion)

World premiere

• October 3rd.    Sede del Orfeón Donostiarra (San Sebastián, Spain)
  

d’un trait qui figure et défigure — (2000-2002)

Smash Ensemble

• October 4th.    Conservatorio Superior de Música de Salamanca (Salamanca, Spain)

d’un trait qui figure et défigure — (2000-2002)

Smash Ensemble

• December 20th.    VIII Festival Internacional SMASH. Teatro Victoria Eugenia (San Sebastián, Spain)       

a ras de los albores más tempranos— (1996-97)

Eric-Maria Couturier, violoncello

• December 27th.    Auditorio de la Unió Musical Santa Cecilia (Onda, Castellón, Spain) 

quehacer del tacto full of mirroredness – (2009)

NEXensemble

 

2012

m

• January 24th.     Instituto Cervantes; Frankfurter Gesellschaft für Neue Musik (Frankfurt am Main, Germany)

doppio lume s’addua (figure of grammar) — (2007)

Delphine Biron (Vc) / Bertrand Chavarría (Guit)

rhopographie dans l’anonymat du murmure — (2010)

Smash Ensemble (Cond.: Jean-Philippe Wurtz)

• April 6th.    IRTIJAL’12. XIIth International Festival of Experimental Music in Lebanon. Beirut Art Center (Beirut, Lebanon)
  

Kaspar Hauser Lied — (1993)

Alessandra Rombolá – Piccolo

• May 26th.     FASE. Spanisch-deutsches Klangkunstfestival. Villa Elisabeth (Berlin, Germany)
  

Kaspar Hauser Lied — (1993)

Alessandra Rombolá – Piccolo

• October 17th – 20th.      Music High School. Universidad Autónoma de Nuevo León (UANL) (Monterrey, México)

Composition Workshop

• October 19th.     Aula Magna de laUniversidad Autónoma de Nuevo León (UANL) (Monterrey, México)

doppio lume s’addua (figure of grammar) — (2007)

Myrtille Hetzel (Vc) / Bertrand Chavarría (Guit)

• October 20th.      Auditorio de la Facultad de Música de la Universidad Autónoma de Nuevo León (UANL) (Monterrey, México)

quehacer del tacto full of mirroredness— (2009)

Sisco Aparici, Alejandro Sancho (perc.)

• October 26th.     VISIONES SONORAS 2012 (Morelia, México)

doppio lume s’addua (figure of grammar) — (2007)

Myrtille Hetzel (Vc) / Bertrand Chavarría (Guit)

• November 19th.    Museo Nacional Centro de Arte Reina Sofía MNCARS. Auditorio 400 (Madrid, Spain)

rhopographie dans l’anonymat du murmure — (2010)

Smash Ensemble (Cond.: Jean-Philippe Wurtz)

• December 16th.    VII Festival Internacional Smash. Museo de Salamanca (Salamaca, Spain)

antecommeDia — (2006-12)

World premiere of the whole cycle

contrapasso einer gesperrten K.457 (Balletto d’Incerto) — (2006-07)

Naiara de la Puente, accordion

des Lallens) que plor e vau cantan (die Blüte — (2011-12)

Carola Schlüter, soprano / Richard Craig, contrabass flute

World premiere

doppio lume s’addua (figure of grammar) — (2007)

Jan-Filip Ťupa, violoncello / Bertrand Chavarría, guitar

 

2011

–

• May 24th.    Ciclo de Conciertos de Música Contemporánea Fundación BBVA 10/11 (Bilbao, Spain)

in der bruchlosen Ferne, dans la crevasse du temps — (2001)

Smash Ensemble (Cond.: Jean-Philippe Wurtz)

• June 17th.    IX Festival of Contemporary Music Música Nueva 2011. Teatro del Centro de las Artes (Monterrey, México)
  

Kaspar Hauser Lied — (1993)

Alicia Garrudo – Piccolo

• July 6th.    Haus am Dom; Frankfurter Gesellschaft für Neue Musik (Frankfurt am Main, Germany)
  

comment subdiviser les regards (6 coblas unissonans) — (2006)

Trio Interface (Bettina Berger, flute; Daniel Lorenzo, piano; Agnieszka Koprowska-Born, percussion)

• October 2nd.    Ciclo Música + Poesía: Dante / Benjamin. Auditorio Fonseca (Salamanca, Spain)

doppio lume s’addua (figure of grammar) — (2007)

Myrtille Hetzel (Vc) / Bertrand Chavarría (Guit)

• October 4th.    III Ciclo de Música Contemporánea Zahir Ensemble. Sala Joaquín Turina de la Fundación Cajasol (Sevilla, Spain)

doppio lume s’addua (figure of grammar) — (2007)

Myrtille Hetzel (Vc) / Bertrand Chavarría (Guit)

• October 6th.    Real Conservatorio Profesional de Música Manuel de Falla (Cádiz, Spain)

doppio lume s’addua (figure of grammar) — (2007)

Myrtille Hetzel (Vc) / Bertrand Chavarría (Guit)

• October 22nd.    Kirche am Campus. Konzert des deutschen Musikrates (Frankfurt am Main, Germany)

doppio lume s’addua (figure of grammar) — (2007)

Duo leise dröhnung: Niklas Seidl (Vc) / Steffen Ahrens (Guit)

• November 8th.    Ciclo Música + Poesía: José-Miguel Ullán. Auditorio Fonseca (Salamanca, Spain)

quehacer del tacto full of mirroredness— (2009)

SMASH ensemble

• November 10th.    32 Festival Encontre Internacional de Compositors 2011 (Palma de Mallorca, Spain)

quehacer del tacto full of mirroredness— (2009)

SMASH ensemble

• November 13th.    Museum Wiesbaden. Konzert des deutschen Musikrates (Wiesbaden, Germany)

doppio lume s’addua (figure of grammar) — (2007)

Duo leise dröhnung: Niklas Seidl (Vc) / Steffen Ahrens (Guit)

• November 19th.   Encontres Multaqa. (Valencia, Spain)

quehacer del tacto full of mirroredness — (2009)

Ensemble Espai Sonor

• December 1st.    Festival Percussion III. Studio Ansermet de la Radio Suisse Romande (Geneva, Switzerland)

quehacer del tacto full of mirroredness — (2009)

NEXEnsemble

• December 2nd.    Stapelhaus. Konzert des deutschen Musikrates (Cologne, Germany)

doppio lume s’addua (figure of grammar) — (2007)

Duo leise dröhnung: Niklas Seidl (Vc) / Steffen Ahrens (Guit)

• December 8th.    VI International Academy TDM – NXE  (Cullera, Valencia, Spain) 

quehacer del tacto full of mirroredness — (2009)

NEXEnsemble

Decem

• December 13th.     Akademie múzických umění v Praze | Academy of Performing Arts in Prague (Prague, Czech Republic)

doppio lume s’addua (figure of grammar) — (2007)

Myrtille Hetzel (Vc) / Bertrand Chavarría (Guit)

• December 14th.     Setkávání Nové Hudby Plus 2011 | Meetings of new Music Plus 2011 (Brno, Czech Republic)

doppio lume s’addua (figure of grammar) — (2007)

Myrtille Hetzel (Vc) / Bertrand Chavarría (Guit)

• December 17th.   Cátedra Manuel de Falla 2011-2012. V Ciclo “Otras músicas”. Salón de actos del Conservatorio Superior (Granada. Spain)

quehacer del tacto full of mirroredness — (2009)

Ensemble Espai Sonor

• December 19th.   III Ciclo de Música Contemporánea Zahir Ensemble. Sala Joaquín Turina de la Fundación Cajasol (Sevilla, Spain)

quehacer del tacto full of mirroredness — (2009)

Ensemble Espai Sonor

2010

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• April 29th.    Festival de Primavera (Salamanca, Spain)

doppio lume s’addua (figure of grammar) — (2007)

Delphine Biron (Vc) / Bertrand Chavarría (Guit)

• May 29th.    VI Mostra Sonora (Sueca, Spain)

de una estela incierta (-Aschenlid) — (1996-97)

Trío De Magia

• June 27th.    Auditorio de Montaverner (Valencia, Spain). – Concert and recording

quehacer del tacto full of mirroredness — (2009)

NEXEnsemble

• September 9th.    Freiburger Münstersommers. 7. Ensemble-Academy 2010. Hochschule für Musik Freiburg (Germany)

doppio lume s’addua (figure of grammar) — (2007)

s’ensemble Illes Balears: Marc Alomar (Vc) / José Pablo Polo (Guit)

• September 21st.    XXVI Festival de Alicante (Alicante, Spain)

in der bruchlosen Ferne, dans la crevasse du temps — (2001)

Smash Ensemble (Cond.: Rei Munakata)

• October 3rd.    X Festival Internacional de Tres Cantos (Madrid, Spain)

quehacer del tacto full of mirroredness — (2009)

NEXEnsemble

• October 28th.    Auditorio Fonseca (Salamanca, Spain)
  

rhopographie dans l’anonymat du murmure — (2010)

Commission: Smash Ensemble / Multilatérale; world premiere

Members of Smash Ensemble and Multilatérale (Cond.: Kanako Abe)

• October 30th.    Église Saint-Merry (Paris, France)

rhopographie dans l’anonymat du murmure— (2010)

Commission: Smash Ensemble / Multilatérale; world premiere

Members of Smash Ensemble and Multilatérale (Cond.: Kanako Abe)

• November 5th.    Síntese – Ciclo de Música Contemporânea da Guarda (Guarda, Portugal)

in der bruchlosen Ferne, dans la crevasse du temps — (2001)

Smash Ensemble (Cond.: Marzena Diakun)

• November 12th.- 30th.    s’ensemble Tour 

12th. November. XXXI Encontre Internacional de Compositors 2010 (Palma de Mallorca, Spain)

Kaspar Hauser Lied — (1993)

s’ensemble Illes Balears: Aïda Borràs (picc)

13th. November. XXXI Encontre Internacional de Compositors 2010 (Palma de Mallorca, Spain)

16th. November. Universidad de Castilla-La Mancha, Ciudad Real (Ciudad Real, Spain)

17th. November. Conservatorio Superior de Música de Córdoba. (Córdoba, Spain)

25th. November. Conservatorio Profesional de Música Teresa Berganza. (Madrid, Spain)

doppio lume s’addua (figure of grammar) — (2007)

s’ensemble Illes Balears: Marc Alomar (Vc) / José Pablo Polo (Guit)

• December 3th.    V Academia Internacional TDM (Cullera, Spain)

quehacer del tacto full of mirroredness — (2009)

NEXEnsemble

• December 16th.    V Festival Smash (Salamanca, Spain)

de una estela incierta (-Aschenlid) — (1996-97)

Trío De Magia

..

2009

.

• March 3rd.    Altes Pfandhaus (Köln, Germany)

contrapasso einer gesperrten K.457 (Balletto d’Incerto) — (2006-07)

Teodoro Anzellotti, accordion

• April 25th.    Wittener Tage für neue Kammermusik 2009 (Witten, Germany)

ravissant la clarté (idioma y astillas) — (2008-09)

Commission: WDR. Remix Ensemble (Cond.: Peter Rundel)

World premiere

• July 11th.    Musiikin aika – Time of music (Viitasaari, Finland)

doppio lume s’addua (figure of grammar) — (2007)

Delphine Biron (Vc) / Bertrand Chavarría (Guit)

• November 1st.    IV Festival Smash (Salamanca, Spain)

in der bruchlosen Ferne, dans la crevasse du temps — (2001)

Smash Ensemble (Cond.: Iker Sánchez Silva)

• December 4th-8th.    Composer in residence by the IV Academia Internacional Nexeduet (Cullera, Spain)

de una estela incierta (-Aschenlid) — (1996-97)

December 5th. Trío De Magia

doppio lume s’addua (figure of grammar) — (2007)

December 6th. Delphine Biron (Vc) / Bertrand Chavarría (Guit)

quehacer del tacto full of mirroredness — (2009)

December 7th. Nexeduet

Commisson: Nexeduet; world premiere

• December 21st.    Auditorio Fonseca (Salamanca, Spain)

comment subdiviser les regards (6 coblas unissonans) — (2006)

Smash Ensemble

.

2008

.

• January 31st.    Durham (England)

Kaspar Hauser Lied — (1992-93)

Richard Craig, piccolo

.

• February 11th.    Auditorio del Conservatorio Victoria de los Ángeles (Madrid, Spain)

a ras de los albores más tempranos— (1996-97)

Eric-Maria Couturier, violoncello

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• February 12th.    Auditorio del Conservatorio Victoria de los Ángeles (Madrid, Spain)

doppio lume s’addua (figure of grammar)— (2007)

Eric-Maria Couturier (Vc) / Bertrand Chavarría (Guit)

.

• February 15th.   Sala miscelänea (Barcelona, Spain)

a ras de los albores más tempranos— (1996-97)

Eric-Maria Couturier, violoncello

doppio lume s’addua (figure of grammar)— (2007)

Eric-Maria Couturier (Vc) / Bertrand Chavarría (Guit)

.

• May 23rd.    Festival ENSEMS (Valencia, Spain)

comment subdiviser les regards (6 coblas unissonans) — (2006)

Smash Ensemble

.

• June 16th.    Temporada CDMC. Auditorio 400. Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain)

corde (L’Einschnitt) duplici — (2005)

Soloist: Bertrand Chavarría (Guit) / Smash Ensemble (Cond.: Iker Sánchez Silva)

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• July 8th.    44. Internationale Ferienkurse für Neue Musik Darmstadt (Germany)
  

contrapasso einer gesperrten K.457 (Balletto d’Incerto) — (2006-07)

Commission: Teodoro Anzellotti; world premiere.

Teodoro Anzellotti, accordion

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• October 10th.    Höchster Schlossplatz (Frankfurt, Germany)

contrapasso einer gesperrten K.457 (Balletto d’Incerto) — (2006-07)

Teodoro Anzellotti, accordion

.

• November 21st.    Contempuls (Prague, Czech Republic)

doppio lume s’addua (figure of grammar)— (2007)

Eric-Maria Couturier (Vc) / Bertrand Chavarría (Guit)

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