[CLICK on the names to LISTEN]

Video:mVideo

en état de paysage

for amplified cello (2018)

declarar la corteça de la letra (wie Scherben […] eines Gefäßes)

for percussion and electronics (2013/rev.14, 15-16)

Sisco Aparici, percussion

wq.132 à creux perdu

for prepared and amplified tenor saxophone (2017)

Pedro Pablo Cámara, saxophone

in der bruchlosen Ferne, dans la crevasse du temps

for 5 instruments (2001)

ensemble recherche

quehacer del tacto full of mirroredness

for two percussion players on 1 timpani (2009)

Synergein Project

contrapasso einer gesperrten K.457 (Balletto d’Incerto)

for accordion solo (2006-07)

Nenad Ivanovic, accordion. 

Kaspar Hauser Lied

for piccolo solo (1993)

Richard Craig, picc.

Audio:

antecomeDìa

the whole cycle on soundcloud

contrapasso einer gesperrten K.457 (Balletto d’Incerto) – (2006-07)

Nenad Ivanovic, accordion

des Lallens) que plor e vau cantan (die Blüte — (2011-12)

Carola Schlüter, soprano / Richard Craig, contrabass flute

doppio lume s’addua (figure of grammar) – (2007)

Jan-Filip Ťupa, violoncello / Bertrand Chavarría, guitar

de una estela incierta (-Aschenlid)

for sax., perc. and pno. (1996-97 – rev. 1999)

Trio Accanto

d’un trait qui figure et défigure

for clarinet in a, alto saxophone, violin and piano (2000-02)

ACA Ensemble

corde (L’Einschnitt) duplici

for soloist guitar, bass flute, alto saxophone and viola (2005)

Mats Scheidegger, Cattrall Ensemble

rhopographie dans l’anonymat du murmure

for prepared flute (+ piccolo), clarinet, violin, violoncello, guitar, piano and percussion (inside the piano and vibraphone) (2010)

Smash Ensemble. Cond.: Jean-Philippe Wurtz

a ras de los albores más tempranos

… (excerpt: a middle section)

for violoncello solo (1996-97)

Eric-Maria Couturier

inanem vocem (prontuario)

… (excerpt: a middle section)

for ensemble (2003-04)

Ensemble Contrechamps (Dir: J. Hempel)

comment subdivisser les regards (6 coblas unissonans)

… (excerpt: beginning)

for fl., perc. and pno. (2006)

Smash Ensemble

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more to follow…

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