Dador

– piccolo soloist, bass flute, bass clarinet, viola, violoncello and doublebass

(1993-94)   –  14’

Premiere: December 1994.  Auditorio Nacional de Música de Madrid. Soloist: Eduardo Pausá. Grupo Círculo. Finalist of the Premio de Composición SGAE 1994.

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del cielo de dos filos

– flute, clarinet, saxophone, violin, violoncello, doublebass and two percussions

(1998-   )

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in der bruchlosen Ferne, dans la crevasse du temps

– prepared flute (+ piccolo), clarinet (+ bass clarinet), violin, violoncello and percussion

(2001)  –  15’

Commissioned by the Festival Internacional de Música Contemporánea de Alicante 2001. Premiere: October 2001. Teatro Arniches (Alicante). Ensemble ArtResonanz (Graz)

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inanem vocem (prontuario)

-flute, oboe, clarinet, horn, trumpet, percussion, violin, violoncello and doublebass

(2003-04)   –   19’

Premiere: November 2004. World Music Days (Ginebra). Ensemble Contrechamps (Cond: Jurjen Hempel)

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ravissant la clarté (idioma y astillas)

– double-bassoon and ensemble (2.0.3.1. – 2.0.0.0. – 2perc. – 3.3.3.2)

(2008-09)   –   19’

Commissioned by the WDR for the Wittener Tage für neue Kammermusik 2009. Premiere: April 2009. Witten (Germany). Remix Ensemble (Cond: Peter Rundel)

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rhopographie dans l’anonymat du murmure

– prepared flute (+ piccolo), clarinet, violin, violoncello, guitar, piano and percussion(inside the piano and vibraphone)

(2010)   –   15’

Commissioned by the Smash Ensemble. Premiere: October 2010. Salamanca (Spain) and Paris (France). Smash Ensemble / Ensemble Multilatérale (Cond: Kanako Abe)

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specchi a la figura (Così nel mio parlar)

– 2 flutes (+ piccolo), soprano saxophone, violin, double bass, accordion, piano and 2 percussions

(2021)   –   15’

Commissioned by G.A.M.O ensemble and Ensemble Suono Giallo with the support of the Ernst von Siemens Stiftung. Premiere: December 2021. Florence (Italy). G.A.M.O ensemble / Ensemble Suono Giallo