Trío

– alto saxophone, percussion and piano

(1995-96)   –  10’

Commissioned by the Festival Internacional Sibila (Sevilla). Premiere: March 1996. Teatro Principal (Sevilla). Trio Accanto

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de una estela incierta (-Aschenlid)

– alto saxophone, percussion and piano

(1996-97/rev.99)   –   10’

Commissioned by the SR for the festival Musik des XX. Jahrhunderts (Saarbrücken). Premiere: May 1997. Saarbrücken. Trio Accanto. Recording: Saarländische Rundfunk (December 1999)

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d’un trait qui figure et défigure

– clarinet in a, alto saxophone, violin and piano

(2000-02)   –   17’

Commissioned by Andrés Gomis. Premiere: November 2007. XXVIII Encontre Internacional de Compositors (Palma de Mallorca). Teatro Principal. Ensemble ACA

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corde (L’Einschnitt) duplici

– soloist guitar, bass flute, alto saxophone and viola

(2005)   –   15’

Commissioned by Mats Scheidegger and the Ensemble Cattrall. Premiere: July 2006. Theatersaal Rigiblick (Zürich). Solois: Mats Scheidegger. Ensemble Cattrall

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comment subdiviser les regards (6 coblas unissonans)

– prepared flute (+piccolo), percussion (inside the piano) and prepared piano

(2006/rev.2016)  –   22’

Commissioned by the Trio Nexus (Berlin). Premiere: October 2006. Ballhaus Naunyn Berlin. Trio Nexus

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doppio lume s’addua (figure of grammar)

– violoncello, guitar and electronics

(2007)   –   13’

Commissioned by the II Festival Smash (Salamanca). Premiere: November 2007. Eric-Maria Couturier/Bertrand Chavarría

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quehacer del tacto full of mirroredness

– 2 percussion players on 1 timpano

(2009)   –   12’

Commissioned by the Nexeduet. Premiere: December 2009. Academia Internancional Nexeduet

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des Lallens) que plor e vau cantan (die Blüte

– soprano and contrabass flute

(2011-12)   –   15’

Commissioned by Carola Schlütter and Richard Craig. Premiere: December 2012. VII Festival Smash (Salamanca, Spain)

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antecomeDìa

– Ciclo / Dante

(2006-12)   –   40’

• contrapasso einer gesperrten K.457  (Balletto d’Incerto)

accordion solo    

• des Lallens) que plor e vau cantan (die Blüte

soprano and contrabass flute

• doppio lume s’addua (figure of grammar)

violoncello, guitar and electronics …

Premiere: December 2012. VII Festival Smash (Salamanca, Spain)

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specchi a la figura (Affligée et Tombeou)

– 2 soprano and 2 bass saxophones 

after Affligée et Tombeou sur la mort de Monsieur Blanchrocher, faite à Paris, et se joüe lentement et à la discretion FbWV 632a by Johann Jacob Froberger

(2013-15) – 26′

Commissioned by Sigma Project. Premiere: October 2015. Festival SigmaCírculo (Madrid, Spain)

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specchi a la figura (Cinc, un, trese)

– prepared violin and violoncello

after the two-voice Rondeau (R6) Cinc, un, trese, huit, neuf d’amour fine by Guillaume de Machaut

(2015-16) – 24′

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saw digression hobbling driftwood (positione di voce)

– 2 amplified musical saws

(2016-17)   –   15’

Commissioned by Synergein Project. Premiere: April 2018. 40 Festival Ensems (Valencia, Spain)

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Entwurf einer Landschaft (le pont vieux)

– soprano and violoncello

(2018-19)   –   25’

Commissioned by OfEnsemble. Premiere: November 2019. KlangSpur – Neue Musik im Klingspor (Offenbach am Main, Germany)

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lingua discordante. A likeness

I. his vmbrage, nothing more
II. This is not landscape
III. his semblable is his mirrour

– percussion trio with three quartz crystal bowls

(2020)   –   30’

Commissioned by Synergein Project. Premiere: to be announced